Pattern:Kielo Wrap Dress by Named Clothing Made before? This was my first attempt! Will make again? Yes, but a long version Adjustments? I originally made this full length but then cropped it short, and added splits to the side & back seams. I also faced the bodice. Inspiration: check out my pinterest board Fabric: ‘layered leaves’ crepe from Minerva Crafts
The one issue I have with this pattern is how it looks when you shorten it. The side wraps tend to bunch up towards the front, rather than folding neatly. I have plans for how to adjust the pattern to hopefully change this in future versions. For this one though, I simply unpicked about 4 inches of the side and back seams, which has given the fabric a bit more ease so it lies a wee bit flatter.
Although in this photo the splits look very high, in reality, the ties hold everything in place so you only get a glimpse of leg.
This crepe is gorgeous! I love its versatility – I could easily just wear this out for a coffee but with my clogs or these boots it’s great for dinner or a day date out. And I have a green dress I can wear under it for winter, too.
There’s a real mix of finishing techniques in this dress. I was trying my best to make the insides beautiful as well, and to prevent fraying. My sewing machine in Glasgow wasn’t good at zigzagging, although I did use this on the side seams. For the lining, I used the turn & stitch method, which I love the look of. I wish I had done french seams on the side seams, but I think at the time I wasn’t sure how that would work construction-wise, because of the ties and lining. I might go back over these with the overlocker just to give a more professional finish.
And yes, I was dancing in every one of these photos. Because, well, Lorde.
Pattern: Sallie Jumpsuit by Closet Case Files Made Before? I tried…but that’s a story for a different blog post Will Make Again? Yes Adjustments: I followed the tutorial Heather Lou wrote on hacking the jumpsuit into a romper, and omitted the pockets because I felt they’d be too bulky. Fabric: knit from Darn Cheap Fabrics, it has a bit of a spongey texture to it but I’m not sure of the composition Inspiration: check out my pinterest board
While I will make this again, I’m not sure how I feel about this one. I think the shorts are pretty unflattering – that’s the widest part of my body anyway, and the combination of elastic waistband, bunching, and horizontal stripes only accentuates that. The fabric was a perfect choice though because it has enough structure and weight to not be clingy.
The pattern itself is well-written and instinctive. If Heather Lou could just make patterns for my whole wardrobe I’d die happy!
I added a pompom trim to the arm and leg holes, which I love. And I love that I can wear it with this vintage embroidered belt I inherited off my step-great-grandmother. So that’s a win.
The neckband isn’t perfect – I’m still trying to suss out how to get those v-neck bands snag-free. Any tips?
I did attempt pattern matching, and I feel like it was successful, at least across the front of the shorts. The only let-down is the CF seam where the waistband joins the shorts – that little slither of white annoys me, although a belt hides it. As for construction, I did this all on the overlocker, except for the pom pom trim which was sewn by hand.
Next time I make this, I’ll probably slice about 1.5cm off the neckline – I think it’d be a tad easier to get on and off if it was wider, and a touch more flattering.
What’s your favourite romper pattern? Any tips for inserting bands on v-necks? Let me know below.
My first Glasgow Make to get on the blog, and entirely inappropriate weather-wise.
Pattern:The Factory Dress by Merchant and Mills Made before? I’d made two full dresses for my Nanna last Christmas, unfortunately without the instructions so they were successful wildcards… Will make again? Yes, I love this shape, the lack of buttons, and how easy the collar is. I might try it with a gathered skirt next time. Fabric: Vintage drapey something I found in a Vintage/antiques/odds-and-ends store in Glasgow’s West End.
I found this amazing large floral print and had to have it. There was probably 2.5m to start with. And I promptly butchered it.
The original idea was to use the free Peppermint Magazine Peplum Top pattern (produced by In The Folds), and hack it with a peplum to make an approximation of my favourite peplum top. That went all sorts of wrong. I misunderstood the instructions for the shoulder panels, fudged the lining several times, tried to cut away the lining, couldn’t find bias tape, etc etc etc. I ended up with a mangled top but a beautiful peplum. I shelved the project for several months…
Then, after a not-amazing trial of the Alex Shirt by Sew Over It, I decided the Factory Dress, with its center front seam, lack of buttons, and simple collar construction, was the shirt pattern for me. I knew there’d be enough of this fabric left to make a toile so I went for it.
I then discovered that the shirt was more than a little cropped. I had wanted a cropped style, but this took it a little too far…enter the afore-mentioned peplum!
When I first tried this on I wasn’t sure how I felt about it. The collar, and the peplum, and the billowy fit with semi-outrageous print felt like mayyybe a tad too much. But then I wore it cycling into work, and it was beautifully cool and floaty. I also love it paired with a cropped jumper, so that the collar looks sophisticated popping over the top, but the peplum peeks out and adds some eccentricity. A little eccentricity goes a long way in starting me-made conversations…
A little note on the construction – most of my seams here are french seams, except for around the collar, where I couldn’t work out how to do this technique. I still haven’t managed to convince my new machine to zig zag on woven fabric. Anyone have any tips?
What’s your favourite pattern hack? Have you tried to hack the Factory Dress? I think it is an underrated pattern, what do you think?
Catherine has joined me in Scotland! Of course, her holiday here ‘coincidentally’ coordinated with Shetland Wool Week…
We spent the week in an Airbnb in Lerwick, after the overnight ferry ride from Aberdeen. This meant we had a good base in which to cosily knit and watch Downton Abbey! I didn’t do many classes during the week – I didn’t feel that my knitting skills were up to many of them, although I would have loved to have tried a beginners brioche class.
We went to a brilliant enamelling class though, with a local Shetlander Helen Robertson. The day started with learning the basics and making a big button, then we made a shawl pin, a little box for stitch markers, and six small buttons. Helen’s mother Joan was there and cooked us a tasty lunch, as well as supplying us with endless tea and homemade shortbread!
On Thursday night we headed to the Shetland Textile Museum for a talk on Victoria Gibson – a talented knitwear designer who settled on Shetland. I wasn’t, to be honest, expecting much. But our host Lizzie was exuberant, interesting, and had a thorough and entertaining knowledge of Gibson’s design, business, and home life.
I was particularly inspired by Gibson’s fading technique. She would use three strands of yarn in knitting, and introduce one yarn of the new colour at a time, to ensure a subtle fade. There was one rainbow jumper on display which showed this to great effect – brilliant, bright, contrasting colours without any jarring transitions.
I’m sure Catherine will have more to say about Victoria Gibson and Lizzie’s fantastic exhibition, so I’ll move on to what we’re really here for…the haul!
Everyone at Wool Week was wearing the official wool week knitting pattern – the Bousta Beanie designed by Gudrun Johnston. I hadn’t even bothered trying to knit this, having never attempted two strand colourwork before. But over the course of the week I fell in love with everyone’s beanies and the beautiful colour combinations…and then I saw this book…
And, I went a bit wild…
First on my needles has been the Barley mittens from Knitting From the North, made up in Mermaid and Natural White (not pictured). I’ve actually already had to frog these and restart – remember to check Ravelry pages for these projects. The 80 stitch cast-on was huge! The colour work pattern is actually fairly instinctive, however, so otherwise I’m not struggling.
Early on, we went to Jamieson and Smith out of town, and I fell in love with this beautiful Aran weight yarn from West Yorkshire Spinners, made from Shetland wool. Catherine very kindly bought me a skein. I thought and thought about what I wanted to knit. I didn’t want to spend months and months wrapping my head around another jumper pattern, but I also didn’t want to knit yet another little hat. One night I was snuggled up in my mother’s shawl – and I had a brainwave. What better than a cushy, cosy, big shawl to wrap up in at the cinema or when out at the pub?
I’ve decided to make the same pattern as Catherine, the Gryer by Isabell Kraemer. I’m letting myself play around with the stripe and eyelet pattern, however, and using the pattern mostly as a guide.
I also chose a selection of 2 ply jumper weight yarn from Jamieson & Smith, to have a play with some intarsia knitting. At the Shetland Textile Museum there was a beautiful long cardigan with an art nouveau floral motif knitted in intarsia. Unfortunately, I didn’t get a photo, but I have got a vibrant Pinterest board (ever expanding!) dedicated to knitwear you can check out…I’m hoping to make a scarf using this yarn, just to get a bit of practice and play around with the colours.
Wish me luck! Will you be at any crafty festivals over the next year? Please give me some suggestions in the comments below! I’m hoping to make Edinburgh Yarn Festival again in 2018 – will you be there?
Pattern: Cleo Pinafore from Tilly and the Buttons Made Before? only these two versions Will Make Again? Yes Fabric: olive print cotton from Spotlight, with an unbleached cotton lining, and fern upholstery brocade, also from Spotlight.
The first version I made was in this olive print cotton from Spotlight. I knew the fabric would be too light-weight for the Cleo, so I fully lined it with an unbleached cotton. Funnily enough, I made this while my parents sat in the same room watching a tour of Greek cooking! I was craving Ouzo or Retsina, let me tell you…and some haloumi…
The pattern was straightforward, easy to follow, and the top-stitching not as hard as I thought it would be. I do think the key to top-stitching is to not really give a shit. Sure, there are wobbles in it and the pocket stitches are a tad hap-hazard…but no-one other than me knows, and certainly, no-one cares.
Rather than using a button or buckle, I bought a snap fastening kit off etsy and fixed on these little black ones. Snap fastenings may be the key to my sewing success…I’m debating how childish shirts with snaps would be – like, an entire wardrobe of shirts with only snap fastenings…
The second version I made from this beautiful upholstery fabric, also from Spotlight. I cut the facings from the unbleached cotton Id used in the previous version. Unfortunately, the fabric is still too thick in places – for example, you can see here my snap has come out because there was too much bulk.
Catherine was not convinced by this fabric. She thought I would look like a walking cushion in it. I was inspired by Dominique’s version, though, and ignored her.
I love the way the straps meet at the back! It looks like a proper pinafore! Even though many parts of this pattern look as though they are finicky, it’s actually a very easy make. Each of these versions took not much more than an hour – turning the straps through being the most time-consuming part. Tilly’s instructions are outstanding, I’d recommend any of her patterns to a beginner.
I wore these a lot in Glasgow at the start of the year, with a dark green jersey dress I bought at H&M. They bring a bit of brightness and fun to the grim wintery days. I’m planning a maroon cord one, which is in fact almost done – but I’d love to do some embroidery on the pocket or try something else special. I think there is room in this pattern for some pom pom trim…or sparkles, like Kate from the Fold Line’s version…
Check out my pinterest board for some Cleo-themed inspiration. Are you making one? Have a different favourite pinafore pattern? Let me know in the comments…
Stoff and Stil have updated their website with some new Autumn and Winter fabrics, and after a couple of days successful sewing I felt I deserved a fabric hit! I’m hoping to get these done by Shetland Wool Week, which mother dearest and I will be heading to at the end of September.
1. Kielo Dress
I’m planning to make a Kielo in some beautiful fern print crepe I already own, but when I spotted this pleated jersey I fell in love with the idea of a Grecian pleated and wrapped dress. I think this will also be an easy and versatile make – I can see it with tights and long-sleeves underneath in Winter, or with sandals in Summer for a night out. Simple, understated, but gorgeous.
2. Factory or Bettine Dress
I love that Stoff and Stil include pictures of their fabric made up into garments – I would have missed this otherwise, but check out how it looks made up-
The blousy fit of this reminds me of the Bettine, and given it’s a viscose fabric I think it will be the perfect fabric-pattern match. However, I’m tempted to try a factory dress, given my recent success with that pattern, and the option of wearing that with a cardigan and the collar poking out…the only hesitation I have there is the practicality of the Factory Dress’ slightly looser skirt on the windy Glasgow streets. I might end up trying to hack the two together, what do you think?
3. Definitely a Factory Dress…
This is a potential wildcard. This cotton percale is listed as a “home” fabric and as it hasn’t arrived I’m not sure how soft and suitable for dressmaking it will be. However, I’m hoping it’ll make the perfect Factory Dress to wear in Winter, and feel subdued but slightly colourful – and I mean, it was on sale guys, who can blame me?!
I might end up making a toile of the factory dress, as I’m not sure how flattering I’ll find the skirt. The Orla dress which has been getting a lot of blog time recently looks a lot more youthful. Potentially I’ll try for the best of both worlds, making the Factory skirt gathered in the same way. I’ve also been wondering if side and back gathers, a la the Archer shirt, might be a win. I’m not going to make any promises, but a side-by-side comparison post could be interesting. I do love seeing Lisa Emerita’s process videos for those toiles….
What are your Autumn plans? Favourite online fabric stores? Wind + skirt solutions?
A few months ago now, my long-lost godmother visited me in Glasgow. We spent a wonderful afternoon checking out all the vintage and charity shops in Glasgow’s West End. I found this retro fabric that afternoon, so it’s extra special.
Made before? no Will make again? I’d love to try the duster coat hack the BHL girls have blogged about. I’d also love to do one in silk-backed crepe, with the silk side showing on the labels and cuffs. And, of course, more retro fabric versions!! Fabric: Retro polyester of some sort from Glasgow Vintage
At first I was planning on a shift dress, but I eventually decided with Yvonne that a blazer would be more practical – in Melbourne, as in Glasgow, you’ll often find a fairly sunny day where the wind is just a little too strong for only a t-shirt. Given that this is a retro polyester, it also is slightly warmer than it looks – I can see myself in this on a night out in Spring or Summer back home, too.
The Victoria Blazer pattern is well explained, beautifully presented, and a lovely fit for me with no alterations. I think that with the spongieness of this fabric you do lose some of the effect of the lapel and the seams/ darts that run from the neckline down to the bust. I did have to sew my lapels open to keep them flat.
I wore this blazer out for drimks with a couple of (male, non-sewist) mates of mine and blew their minds when I told them it was hand-made. “Irish Dave” has since brought this blazer up when I haven’t even been wearing it, which to me is a sign I have become a Successful Human.
Anyone know of quality vintage stores in Scotland? What’s your most brilliant fabric score?
This has to be one of my favourite makes to date. It has enough features that people think it is RTW, but was really easy to knock out, airy for summer, but thrown on with jeans looks much more dressed-up than a tee.
Pattern: Simplicity 2365 Made before? I’d made one version in a similar 100% cotton, but without as much hacking, and definitely got a lot of wear out of that in Summer. Will make again? Absolutely. I left the pattern back home in Aus, but I’m considering just buying it again to make a few more. Fabric: 100% cotton I bought from Spotlight, designed by Cloud 9
The original pattern is a tunic or shirt ending at the hips, with short or long sleeves and a mandarin collar. It features princess seams and five pintucks on either side of the center front. In this version, I cropped the two front and back pieces to where the waistline was marked on the pattern. I then sloped off the neckline into a v, starting from the mark at center front where the split in the original is meant to start. I finished the armholes and neckline with bias binding. The ruffle was simply made from a long rectangle – as long as I had fabric for – gathered and sewn in. Inside seams are finished with overlocking.
Can we talk about this fabric?! Spotlight has such a great range of cottons, chambray, and tencel. It’s definitely something I miss in Scotland – I can’t seem to find any beautiful prints like this unless they’re Liberty and prohibitively expensive. I also can’t find any tencel – which is such a shame, because I think a floaty tencel skirt in the same khaki as those little leaves would be perfect with this shirt.
I’m a huge fan of the pintucks too. The instructions which come with the pattern, being a big 4, aren’t fabulous. I followed a tutorial in my handy sewing bible, and after that it was easy. Particularly in 100% cotton, you just need a lot of steam and heat. And a ruler.
I’ve read online that you can also create pintucks in fabric before you cut, then cut out pattern pieces with them finished and use that as a textural element – I’d love to explore this, I’m just not sure of what pattern to try it with. Ideas?
Do you have any favourite pintuck patterns for me to try? Know where I can get some quality but affordable tencel in the UK? Let me know in the comments below!
This skirt was a story of trial & error. I’d made this pattern in a black stretch cotton before, as a mock-up and for work. It was a little too big – so when I made it from this bengaline I did a size down. Unfortunately, I was watching a really good movie when I cut it out – and so the stretch runs vertically. Oops.
Once I’d sewn up the side seams, I also realised it was going to be reallllly short when hemmed. Cue two months stagnancy on my sewing desk.
Eventually after a very succesful op-shop run, I decided to use this reclaimed zip to make an exposed zipper back, which would preserve just enough width in the skirt for it to fit perfectly. I bias-bound the waist and hem to save a bit of length there as well.
Let’s be honest – there’s a lot of sewing in this garment that is less-than professional. I still love it though! It’s so 60s – my favourite fashion decade. I’m hoping to ‘aquire’ some bowling shoes to pair with it.
I definitely want to use this pattern again – once I sort out sizing. Unfortunately I’ve left it at home in Australia, so it won’t be until I get back. I’d love to find some really beautiful brocade or jacquard, maybe something with parrots…you can see some of my inspo for further projects over on my Pinterest.
What’s your favourite fashion decade? And do you think I should go full 60s with this one – some bowling shoes, a vintage cardi, beehive…? Let me know in the comments!
I know, this is a bit late – one month into 2017 already! But given it is still the first month of the year, and there’s more than nine to go, here are the new projects and new skills I want to master in 2017…
Ginger Jeans by Closet Case Patterns: Gingerella showed these off in her September Makes vlog last year, and that was when I really fell for this pattern. But I wasn’t sure – would jeans be too far over my head? Well, now I’m in Scotland, and need to make friends, I’ve signed up for a sewing class! About making Ginger Jeans! So in about 8 weeks time, you should see a new pair of olive jeans on this blog 🙂 🙂
Skills to build: fly zip, zips in general, top stitching, belt loops, rivets
Agnes Top by Tilly & the Buttons: I’ve always wanted to make this top, but the little elastic gathers at the front scare me! Now that I have my head around the Molly top from Sew Over It though, I think I’m ready for this one. I’ve also purchased a Craftsy course on sewing with knits. Basics here we come!
Skills to build: everything with knit fabric, on a regular sewing machine (no overlocker in Glasgow 😦 )
Alex Shirt from Sew Over It: I wear collared shirts All. The. Time. I just don’t feel dressy enough to go out without a collar peeking up over my jumper. Up until now, I’ve searched charity shops high and low for good ones. While I’m sometimes lucky, there are so many beautiful rayons screaming out to be worn!
Skills to build: Collars, buttons and button holes.
Nancy Dress from Sew Over It: In Love. Nothing else to say. Have the fabric already.
Skills to build: Slippery fabrics and cutting accurately.
Lingerie of some kind: I haven’t decided on a pattern for this yet, really. I can never find bras and underwear which I like, fit me, and don’t show under jeans. Plus, they’re so expensive! I wouldn’t mind spending the money on supplies though, and having matching sets a la Hollie from Hollie Dolly is very appealing…
Skills to build: everything to do with sewing lingerie…a craftsy course, possibly?
Arielle Skirt from Tilly & the Buttons: A tight, short skirt with a collared shirt and jumper, and some cool patterned tights, is my favourite city outfit. I love the idea of adding interesting contrasting buttons as well. And really, Tilly can do no wrong…
Skills to build: everything I do with skirts turns out wrong, so just making one that fits will be a miracle…
Ailakki Cross Front Jumpsuit by Named Patterns: This was love at first sight! Diary of a Chainstitcher, one of my favourite blogs, did a brilliant version of this. When I get to the end of the year and am feeling more confident with my fitting and accuracy skills, I plan to give this a go for a Christmas outfit.
Skills to build: Zips, lining, accuracy, hand sewing.
Happy sewing everyone! H xx
P.S I was planning on vlogging all of this, but my camera has stopped working on the filming mode. Hopefully I’ll be able to bring you a video soon, of the handmade wardrobe I brought to Glasgow with me!