Pattern: Alex Shirt by Sew Over It, from their Sew Over It City Break ebook Made Before? This was my first attempt Will Make Again? Yes, with some changes Adjustments? fudged the cuffs a bit after I messed them up Fabric: Catch of the Day cotton, also from Sew Over It (no longer available) Continue reading →
Pattern: Sallie Jumpsuit by Closet Case Files Made Before? I tried…but that’s a story for a different blog post Will Make Again? Yes Adjustments: I followed the tutorial Heather Lou wrote on hacking the jumpsuit into a romper, and omitted the pockets because I felt they’d be too bulky. Fabric: knit from Darn Cheap Fabrics, it has a bit of a spongey texture to it but I’m not sure of the composition Inspiration: check out my pinterest boardContinue reading →
My first Glasgow Make to get on the blog, and entirely inappropriate weather-wise.
Pattern:The Factory Dress by Merchant and Mills Made before? I’d made two full dresses for my Nanna last Christmas, unfortunately without the instructions so they were successful wildcards… Will make again? Yes, I love this shape, the lack of buttons, and how easy the collar is. I might try it with a gathered skirt next time. Fabric: Vintage drapey something I found in a Vintage/antiques/odds-and-ends store in Glasgow’s West End. Continue reading →
Catherine has joined me in Scotland! Of course, her holiday here ‘coincidentally’ coordinated with Shetland Wool Week…
We spent the week in an Airbnb in Lerwick, after the overnight ferry ride from Aberdeen. This meant we had a good base in which to cosily knit and watch Downton Abbey! I didn’t do many classes during the week – I didn’t feel that my knitting skills were up to many of them, although I would have loved to have tried a beginners brioche class.
We went to a brilliant enamelling class though, with a local Shetlander Helen Robertson. The day started with learning the basics and making a big button, then we made a shawl pin, a little box for stitch markers, and six small buttons. Helen’s mother Joan was there and cooked us a tasty lunch, as well as supplying us with endless tea and homemade shortbread!
On Thursday night we headed to the Shetland Textile Museum for a talk on Victoria Gibson – a talented knitwear designer who settled on Shetland. I wasn’t, to be honest, expecting much. But our host Lizzie was exuberant, interesting, and had a thorough and entertaining knowledge of Gibson’s design, business, and home life.
I was particularly inspired by Gibson’s fading technique. She would use three strands of yarn in knitting, and introduce one yarn of the new colour at a time, to ensure a subtle fade. There was one rainbow jumper on display which showed this to great effect – brilliant, bright, contrasting colours without any jarring transitions.
I’m sure Catherine will have more to say about Victoria Gibson and Lizzie’s fantastic exhibition, so I’ll move on to what we’re really here for…the haul!
Everyone at Wool Week was wearing the official wool week knitting pattern – the Bousta Beanie designed by Gudrun Johnston. I hadn’t even bothered trying to knit this, having never attempted two strand colourwork before. But over the course of the week I fell in love with everyone’s beanies and the beautiful colour combinations…and then I saw this book…
And, I went a bit wild…
First on my needles has been the Barley mittens from Knitting From the North, made up in Mermaid and Natural White (not pictured). I’ve actually already had to frog these and restart – remember to check Ravelry pages for these projects. The 80 stitch cast-on was huge! The colour work pattern is actually fairly instinctive, however, so otherwise I’m not struggling.
Early on, we went to Jamieson and Smith out of town, and I fell in love with this beautiful Aran weight yarn from West Yorkshire Spinners, made from Shetland wool. Catherine very kindly bought me a skein. I thought and thought about what I wanted to knit. I didn’t want to spend months and months wrapping my head around another jumper pattern, but I also didn’t want to knit yet another little hat. One night I was snuggled up in my mother’s shawl – and I had a brainwave. What better than a cushy, cosy, big shawl to wrap up in at the cinema or when out at the pub?
I’ve decided to make the same pattern as Catherine, the Gryer by Isabell Kraemer. I’m letting myself play around with the stripe and eyelet pattern, however, and using the pattern mostly as a guide.
I also chose a selection of 2 ply jumper weight yarn from Jamieson & Smith, to have a play with some intarsia knitting. At the Shetland Textile Museum there was a beautiful long cardigan with an art nouveau floral motif knitted in intarsia. Unfortunately, I didn’t get a photo, but I have got a vibrant Pinterest board (ever expanding!) dedicated to knitwear you can check out…I’m hoping to make a scarf using this yarn, just to get a bit of practice and play around with the colours.
Wish me luck! Will you be at any crafty festivals over the next year? Please give me some suggestions in the comments below! I’m hoping to make Edinburgh Yarn Festival again in 2018 – will you be there?
Pattern: Cleo Pinafore from Tilly and the Buttons Made Before? only these two versions Will Make Again? Yes Fabric: olive print cotton from Spotlight, with an unbleached cotton lining, and fern upholstery brocade, also from Spotlight.
The first version I made was in this olive print cotton from Spotlight. I knew the fabric would be too light-weight for the Cleo, so I fully lined it with an unbleached cotton. Funnily enough, I made this while my parents sat in the same room watching a tour of Greek cooking! I was craving Ouzo or Retsina, let me tell you…and some haloumi…
The pattern was straightforward, easy to follow, and the top-stitching not as hard as I thought it would be. I do think the key to top-stitching is to not really give a shit. Sure, there are wobbles in it and the pocket stitches are a tad hap-hazard…but no-one other than me knows, and certainly, no-one cares.
Rather than using a button or buckle, I bought a snap fastening kit off etsy and fixed on these little black ones. Snap fastenings may be the key to my sewing success…I’m debating how childish shirts with snaps would be – like, an entire wardrobe of shirts with only snap fastenings…
The second version I made from this beautiful upholstery fabric, also from Spotlight. I cut the facings from the unbleached cotton Id used in the previous version. Unfortunately, the fabric is still too thick in places – for example, you can see here my snap has come out because there was too much bulk.
Catherine was not convinced by this fabric. She thought I would look like a walking cushion in it. I was inspired by Dominique’s version, though, and ignored her.
I love the way the straps meet at the back! It looks like a proper pinafore! Even though many parts of this pattern look as though they are finicky, it’s actually a very easy make. Each of these versions took not much more than an hour – turning the straps through being the most time-consuming part. Tilly’s instructions are outstanding, I’d recommend any of her patterns to a beginner.
I wore these a lot in Glasgow at the start of the year, with a dark green jersey dress I bought at H&M. They bring a bit of brightness and fun to the grim wintery days. I’m planning a maroon cord one, which is in fact almost done – but I’d love to do some embroidery on the pocket or try something else special. I think there is room in this pattern for some pom pom trim…or sparkles, like Kate from the Fold Line’s version…
Check out my pinterest board for some Cleo-themed inspiration. Are you making one? Have a different favourite pinafore pattern? Let me know in the comments…
Stoff and Stil have updated their website with some new Autumn and Winter fabrics, and after a couple of days successful sewing I felt I deserved a fabric hit! I’m hoping to get these done by Shetland Wool Week, which mother dearest and I will be heading to at the end of September.
1. Kielo Dress
I’m planning to make a Kielo in some beautiful fern print crepe I already own, but when I spotted this pleated jersey I fell in love with the idea of a Grecian pleated and wrapped dress. I think this will also be an easy and versatile make – I can see it with tights and long-sleeves underneath in Winter, or with sandals in Summer for a night out. Simple, understated, but gorgeous.
2. Factory or Bettine Dress
I love that Stoff and Stil include pictures of their fabric made up into garments – I would have missed this otherwise, but check out how it looks made up-
The blousy fit of this reminds me of the Bettine, and given it’s a viscose fabric I think it will be the perfect fabric-pattern match. However, I’m tempted to try a factory dress, given my recent success with that pattern, and the option of wearing that with a cardigan and the collar poking out…the only hesitation I have there is the practicality of the Factory Dress’ slightly looser skirt on the windy Glasgow streets. I might end up trying to hack the two together, what do you think?
3. Definitely a Factory Dress…
This is a potential wildcard. This cotton percale is listed as a “home” fabric and as it hasn’t arrived I’m not sure how soft and suitable for dressmaking it will be. However, I’m hoping it’ll make the perfect Factory Dress to wear in Winter, and feel subdued but slightly colourful – and I mean, it was on sale guys, who can blame me?!
I might end up making a toile of the factory dress, as I’m not sure how flattering I’ll find the skirt. The Orla dress which has been getting a lot of blog time recently looks a lot more youthful. Potentially I’ll try for the best of both worlds, making the Factory skirt gathered in the same way. I’ve also been wondering if side and back gathers, a la the Archer shirt, might be a win. I’m not going to make any promises, but a side-by-side comparison post could be interesting. I do love seeing Lisa Emerita’s process videos for those toiles….
What are your Autumn plans? Favourite online fabric stores? Wind + skirt solutions?